Standard Clay Company

Custer Feldspar update

Pacer Minerals

Due to the suspension of operations at the Pacer mine and plant, we will no longer carry custer feldspar for the foreseeable future. By the end of this year we hope to carry G200 EU as a replacement mineral made available for resale in limited quanities. For technical assistance and consultation regarding the absence of custer feldspar, we ask that you contact Jeff Zamek.

Notice Letter

A Potter for the 21st Century

Sarah Anderson

Veteran Educator Adjudicates Standard Clay’s High School Exhibition

Susan T. Phillips

The New Artist/Entrepreneur

East Wheeling Clayworks

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Featured Articles

A Potter for the 21st Century
September 29, 2023
After months of lockdowns and isolation amid a global pandemic, Indianapolis potter Sarah Anderson bought a small Serro Scotty camper and took to the highway. This 20-something graduate of Ball State University recruited her dog Pip and her friend Merrat Metzger and began a journey that brought her to new vistas and built a real community out of virtual connections.
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Veteran Educator Adjudicates Standard Clay’s High School Exhibition
April 06, 2023
Standard Clay has a long history of encouraging and showcasing local high school artists in the gallery at Clay Place @ Standard. The current show features works in clay from thirteen schools and runs through April 28. A reception was held on March 29 for the students, their teachers, and their families and friends. Under the discerning eye of judge Susan T. Philips, the works were assessed and rated, with awards granted to the three best student works, along with one to the best over-all school. Standard Clay is grateful for Phillips’ expertise and willingness to serve in the role of judge.
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East Wheeling Clayworks: The New Artist/Entrepreneur
March 03, 2023
Adam and Beth Bedway stand at the intersection of many roads for today’s new potters. This Wheeling, West Virginia couple are the owners and founders of East Wheeling Clayworks, an enterprise that has grown out of their love of clay and is fed by a determination and commitment to the growth of small businesses in small economies. Both Adam, 40, and Beth, 37, majored in the arts but sacrificed full-time artistic pursuit to ensure a sustainable living. Like so many of their generation, they found the traditional work model unfulfilling. With careful consideration and planning, they chose an alternate route.
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Archived Articles

The I’m fine. Project: Exploring the Self Image
The artistic process is one that draws on the whole person, rummaging through the depths of emotion and memory, sometimes ecstatic, sometimes painful, emerging in a thing of beauty. For central Pennsylvania friends Maureen Joyce and Carrie Breschi, the cathartic value of working with clay has become a life mission. Through heartbreak and the circumstances of life, these women have come together to offer healing workshops to people seeking emotional wholeness amid life’s inevitable challenges. I’m fine. uses the creation of human masks to explore the self.
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Potter Robert Deane: An Intimate Approach
While all artists have a personal relationship with the materials of their craft, potters share a special bond with clay that spawns a visceral connection to the earth. Southwestern Pennsylvania Potter Robert Deane brings this intimate dynamic to his work – in the clay he digs and refines, in the collaborative projects he undertakes, and especially in the philosophy of his teaching practices. This Media, PA artist teaches adults and children at the Wallingford Art Center outside of Philadelphia.
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Standard Ceramic Acquires Sculpture House Ceramics Division
Florida-based Sculpture House is a business with a long history in the greater New York area that traces a century old history through the tutelage of two families. By the end of this summer, Standard Ceramic’s Turnbull family will become the third line of craft-oriented businessmen to extend part of that tradition. Standard will acquire the Ceramics Division of Sculpture House as Bruner Barrie, the company’s CEO, moves closer to a full retirement.
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Eberle Studios: Developing Artistic Vision
Pittsburgh artist Ed Eberle is well-known in western Pennsylvania and around the world. With a career spanning over 50 years, Eberle works in a variety of media, including painting, printmaking, sculpture, mixed media, and installations, but most recognizably with ceramics. His porcelain vessels and sculptures often feature abstractions, geometry, and detailed figurative painting with terra sigillata used both as “gesso” and “paint.” To further a legacy in fine art ceramics, Eberle and family are now opening artist studios and open studio workspaces in Homestead, near the Waterfront shopping center.
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Blair Meerfeld and The Art League School of Alexandria: Community of Inspiration
When Blair Meerfeld left a solitary Colorado life as a studio potter in 2009 to accept a position at a thriving East Coast art school, he had no idea how radically his life would change. As the Chair of the Ceramics Department at The Art League in Alexandria, Virginia, Meerfeld oversees over 1,400 students a year in a program that has continued to grow under his stewardship. In a position that he thought he would keep for a year or two before returning to his independent artist’s life, his days are filled with constant interaction with students, faculty and administration. Yet it was not until the COVID-19 pandemic shut down all operations at The Art League that Meerfeld was able to reflect on his experience and fully appreciate the importance of human interaction in the creative process.
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A Layered Approach Dual Exhibition: Brian Peters and Philip M. Soucy
Two Pittsburgh artists will bring their work to ClayPlace@Standard for "A Layered Approach," a joint exhibition this coming October. Philip M. Soucy and Brian Peters share a similar technique of stacking clay coils but have a vastly different approach to the method. Soucy’s organic works are built by hand; Peters’ precise pieces are created using a 3-D printer. Each reveals a respect and affection for the material and creates pieces that challenge our ideas about humanity’s history of building and altering its environment.
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